Flood Dream

by LEYA

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alfa_alfa68 Este disco me encanta, es como una extraña sensación, porque el arpa tiene otra afinación, como de amor. Favorite track: INTP.

pinkville This is my pick for album of the year (2020). It's completely original. It's beautiful, sensual, haunting, harrowing, unsettling, enveloping, inspiring.

Jakub Brouček This is great album, great for listening only, for walking, for cooking, for making love...Great, with little surprise if you are lucky enough to see them on live. Favorite track: Flow.

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Standard 12" Vinyl
Record/Vinyl + Digital Album
Includes unlimited streaming of Flood Dream via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Weight (ft. GABI) 03:52	buy track
2.	Wave 04:11	buy track
3.	INTP 03:47	buy track
4.	ABBA 04:34	buy track
5.	Flesh 02:50	buy track
6.	Flow 04:44	buy track
7.	Mariah 04:15	buy track
8.	First Way 04:27	buy track
9.	Mary 03:57	buy track

about

Framed within a network of outlying artists whose experiments sketch out far-flung deviations from aboveground movements, the work of New York-based duo LEYA stands out as an anomaly that exemplifies the idiosyncratic impulses of the avant fringe. Harpist/vocalist Marilu Donovan and violinist/vocalist Adam Markiewicz seem from a sidelong perspective to approximate the languages of neo-classical performance and post-minimalist exploration in their austere, meticulously rendered compositions. In truth, the duo’s own self-perception casts their project closer to the axis of noise and punk than conventional refinement.

As formally educated composers acutely aware of the traditions and conventions into which their instruments fit, Donovan and Markiewicz exploit preconceptions and confound expectations by pursuing the most transportive and emotional means of communication with their audience. Just as their peers warp systems of electronics or tropes from the pop and rock traditions, LEYA channel the surface signifiers of orchestral music and 20th century classical composition into deeply personal works that encompass bursts of raw dissonance alongside moments of spectral beauty. The duo’s performances shift the spotlight from the authority figure looming over an ensemble of players to those planted in the corner of a dimly lit basement populated with freaks who can’t help but fall into silence when confronted with the duo’s bewildering stimuli.

LEYA’s album Flood Dream follows their acclaimed debut album The Fool (NNA, 2018), as well as Angel Lust, a collaboration with Eartheater released with PAN this December, and their soundtrack to PornHub-exclusive short film I Love You directed by Brooke Candy. The Fool presented the project both in densely plotted duo pieces and joint efforts with New York luminaries like Eartheater, PC Worship, and Sunk Heaven. Though guests from LEYA’s wide social environment appear on Flood Dream, including vocalist/producer GABI, flautist/synthesist John Also Bennett of Forma, and bassist Tristan Kasten-Krause, the album pares back the presence of external artists as full co-writing collaborators to highlight the raw core of the duo’s practice. Flood Dream plays out as a decadent feast of the senses struck through with the disturbed influence of intrusive thoughts.

The album’s pieces each follow their own sinuous narrative arc, building from empty expanses of detuned harp arpeggios and languid smears of violin into climaxes draped in Markiewicz's impassioned vocal lines. LEYA generate tension with their darkly operatic sense of drama, conveyed in weeping melodies and the desolation of solitary notes against blank backdrops, as they dole out fragments of resolution or momentary triumph before sinking back into uncertainty. Their arrangements bridge instances of baroque ornamentation and blocks of harmonic density with stretches of fugue state-inducing confusion built over dreary standing tones and repeated dissonant intervals.

In an industry obsessed with precise classification, how do we make sense of the ambiguous shadow LEYA casts over the landscape? The duo reject the tenets of the new music establishment and thrive within a scene of noise transgressors and electronic auteurs. In all of its indulgence and emotional upheaval, their music adapts as easily to the context of arthouse pornography as to a late-night bill populated with no wave acts and performance artists, without ever coming off as a harsh juxtaposition. LEYA’s music reveals that the boundaries between these disciplines aren’t boundaries at all — that everything pours from the same well into different vessels that might be carried off in opposite directions, but always return to a shared source.

credits

released March 6, 2020

All songs written and performed by LEYA

Recorded and mixed by Alexis Berthelot at Outlier Inn and Studio G
GABI’s vocals recorded by Eric Littmann
Mastered by Chris Weiss

Gabrielle Herbst (GABI) sings on Weight
John Also Bennett plays flutes on Mariah and synthesizers on Flow
Tristan Kasten-Krause plays bass on Mariah and First Way

Photography by Serge Serum
Calligraphy by Leo Gutman
Layout by Matt Mayer

LEYA is Marilu Donovan and Adam Markiewicz

license

about

LEYA Brooklyn, New York

shows

Sep 30

Crystal Ballroom at Somerville Theatre

Somerville, MA
Dec 14

Pioneer Works

Brooklyn, NY

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